Statement of Record

CategoryInterview

Jordan Rothacker talks Radical Empathy, Climate Justice, and Bowie’s Influence in The “Shrieking of Nothing”

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Interview with Andrew Benzinger

Imagining the next four years—let alone two hundred—often seems daunting and bleak; not so for novelist Jordan A. Rothacker, whose most recent work visualizes a far different distant future.

Jordan Rothacker is a writer based in Athens, Georgia, where he received his master’s degree in religion and PhD in comparative literature at...

“Daedalus would have been into AI”

An Interview with Michael J. Wilson, author of A Labyrinth

By Jordan A. Rothacker

Allow me to begin with a disclaimer. Michael J. Wilson is a label-mate of mine from Stalking Horse Press, which published my short story collection, Gristle: Weird tales. While Wilson and I have never met in person, we are friends on social media and...

The Research Comes with the Psychology of the Characters

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An Interview with James Reich

By Jordan A. Rothacker

This is the second time I’ve interviewed James Reich, and it is good to catch up with him after the publication of his newest novel, The Moth for the Star, released in late 2023 from 7.13 Books. This haunting and masterful novel takes the reader right into the heart of “dark Modernism,” a territory...

Forgotten Night: Andrea Scrima Interviews Rebecca Goodman

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As she attempts to trace the increasingly portentous-seeming name in her grandfather’s WWI journal chronicling his time digging trenches in France, the narrator of Forgotten Night is haunted by the absence of Jewish life in the villages she travels through, by the desolation of the scattered traces remaining.

“It’s the Accessibility I Like”

An Interview with Erika T. Wurth

By Jordan A. Rothacker

I first became acquainted with the work of Erika T. Wurth when Astrophile Press sent me an advanced edition of Buckskin Cocaine for review in 2017. I instantly loved the book and was excited to write about it. I was captivated by the interconnectivity of the “Hollywood Indian...

“Language Itself Is the Only Limit”

Thomas Dolby once said that he writes songs like a frustrated novelist. I like to say that I write books like a frustrated musician. I first started out writing lyrics to songs I was making in high school. Then I moved to writing poems before migrating towards stories and, eventually, novels. No surprise, my early poems were mostly about music and musicians as well. So, I think it’s always...

A Legacy of the Art Life — and Magnificent Hair

By Jordan A. Rothacker

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An Interview with Tosh Berman

Tosh Berman can never be separated from his pedigree—that his father Wallace was an artist of such originality and aesthetic coolness he was on the album cover of Sgt. Pepper’s Lonely Hearts Club Band—but his father passed in 1976, and Tosh is here now and doing great work. Tosh Berman manages his father’s artistic estate...

The Ghost Hour is Upon Us: Kate Belew Interviews Laura Cronk about Ghost Hour

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I always want to feel some kind of intellectual searching and an emotional charge in a poem. My experience with poetry is a lot like my experience with movies. I just want to sit in the dark and think and feel. But I can admire and be made better by poems I don’t connect with or understand, too. If someone writes something and calls it, with any sincerity, a poem...

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