Statement of Record
My poetic writing is a carpet. Unfurled, it displays the colorful strands of my linguistic development, regionalisms and academic language alike. The results of this writing are not works of genius, not creations of one singular genius. They are iridescent and ambiguous exposures, spotlights bringing some of the world’s previously invisible facets into focus.
One might think you’d have to know a band’s music to have much interest in the “behind-the-scenes,” but Carroll manages to draw the reader in with quirky bits of nostalgia. Lines like “They had two songs about farting, and one song about setting lawns on fire. I’m pretty sure their drummer is a cop now. . .” capture the banality and naivety of aspiring musicians—tales of recording sessions, inter...
Thomas Dolby once said that he writes songs like a frustrated novelist. I like to say that I write books like a frustrated musician. I first started out writing lyrics to songs I was making in high school. Then I moved to writing poems before migrating towards stories and, eventually, novels. No surprise, my early poems were mostly about music and musicians as well. So, I think it’s always...
“I don’t usually define myself by one genre; however, I am a poet, a fiction writer, a hybrid writer, and a non-fiction writer, and so I claim all of those identities. I see myself ultimately as a writer who writes a number of different things, in a number of different genres, who experiments with form sometimes and who writes what she wants when she wants.”
The beauty of this novel’s style is that it allows themes to appear via juxtaposition—refugeeism, the nature of human consciousness, the end of life. The fragmented storytelling resonates in a way that moves the reader’s emotions in a constant flow of varying chords, the tensions raised in one story carrying over into the next, then back again.
Les Chants de Maldoror is a work that seems to permeate each mind it touches, even if briefly. Whether role-playing or reminiscing, the contributors to The Celestial Bandit bleed confessions. Jordan Rothacker sets the stage expertly by giving a framework for the influence the Comte de Lautréamont has had on generations of creative renegades...
The perfect friendship of butter & grilled sourdough, the hard-to-place fruity scent of cactus candy, the joy in anticipation of pizza delivery, all gloss over a deep, universal, inevitable melancholy.
As a reader who has grown increasingly interested in a particular species of postwar fiction from the German-speaking countries—which traffics in introspection, anomie, and melancholy—to hear Wolfgang Hilbig referenced as part of a general literary/philosophical/intellectual cohort which included Ingeborg Bachmann, Thomas Bernhard, and W.G...
We at StatORec are proud to welcome Jordan A. Rothacker to our editorial team in the position of Books Editor. Rothacker brings with him over twenty years in magazine editorial experience and a deep commitment to honoring the word in all its forms and expressions. Along with a background in journalism, in 2016 Rothacker completed a PhD in Comparative Literature with a dissertation...
Theatrix is chock-full of trap doors, of trompe-l’oeils and mirrors. The ground is not solid; the air is not safe; the coast is not clear; the rug will be pulled out from under your feet. You feel it in your bones. Svoboda’s lines are elegant but she is equally eloquent in moving the “parts that can’t speak, or parts speaking inaudibly,” the innermost parts of our messy and...
One of the aspects of the Rum community that Anastasiadou wants to highlight in the text is the community’s fear of and exclusion from mainstream Turkish society. This is rooted deep into Turkish history. Although at its founding the new Republic of Turkey was ostensibly a secular nation, it was explicitly built with a Turkish and Muslim identity at its core. This left non-Muslim minorities such...
“If you do the crime, you do the time,” the old adage warns. For me, though, crime time was the best part of the week. On Sunday nights during my youth, the PBS television channel aired the Masterpiece Mystery program: detective shows like Poirot and Miss Marple. Mysteries were the only entertainment interest shared...
Statement of Record